Dubstar were a British pop group that first hit the charts in 1995, going on to release three albums before calling it a day. The band comprised of Sarah Blackwood (Vocals), Steve Hillier (Keyboards) and Chris Wilkie (Guitar), blending pop melodies with thoughtful, clever lyrics. I finally got around to purchasing their last album Make It Better, so thought I’d post a short guide to the band’s output, for those of you interested in checking them out further. I hope you do, as they’re one of my favourite bands, and Goodbye is one of my most played albums of the last ten years, that I keep returning to again and again.
Steve and Chris had previously been in a band called The Joans before forming Dubstar, and asked Sarah to join the group after hearing a tape of her demos left at Steve’s flat. She joined in 1994, and replaced Steve on vocals, and they were soon signed to Food Records, an offshoot of EMI. Stephen Hague was enlisted to produce them, who had previously worked with the Pet Shop Boys. It’s easy to liken their sound to the Pet Shop Boys, as it’s often very clean, clinical, electronic pop music, and with strong leanings towards dance music. Lyrically, I think they have much in common with them too, whilst also showing similarities to The Smiths. Releasing their debut Disgraceful at a time when Britain was starting to embrace Britpop, they were able to appeal to an audience that might have not accepted them a couple of years earlier.
I’ve put together a little playlist of some of my favourite tracks from each album (courtesy of we7), so why not hit ‘play’ and read on…
After it’s first two singles, Stars and Anywhere just scraped the Top 40 charts, it took an obscure cover version of a song by Brick Supply called Not So Manic Now to really make an impact. It reached No.18, and the subsequent re-release of Stars early the next year (which went on to be their biggest hit) ensured great sales for their debut album. Amongst all the other great tunes it offered was another real gem, again a cover version, this time of the Billy Bragg track St.Swithin’s Day. What might have been considered as heresy by a lot of Bragg fans, it turns out to be one of the best covers I’ve heard, and showed clearly that a lot of their roots lay in indie territory. A fourth single followed, Elevator Song, which also performed well reaching No.25. The album was then re-released with a bonus disc collecting together many of the dance remixes that had featured on the singles. The artwork for Disgraceful courted controversy, and the original design which was argued to contain sexual overtones (see above) was replaced with something deemed less offensive.
The album seems a little overpriced on Amazon, but I did find it at a reasonable price on Play.
The second album was heralded by the single No More Talk, which again reached the Top 20. The writing, and quality of the songs was that little bit better, and so it was probably a surprise to the label when the follow-up, Cathedral Park narrowly missed making the Top 40. Although this was the song that actually made me go out and buy their music at the time, it showed the constant pressure involved of pleasing the people who made up radio playlists. Thankfully I Will Be Your Girlfriend, the third and final single to be released fared better, peaking at the more respectable position of No.28, but it was obvious that it would be difficult to keep us such success.
If you’re not still chained to the notion of physical cds, you can download the whole Goodbye album, along with 14 bonus remixes and b-sides at Amazon for £7.99 here.
Make It Better (2000)
Their final studio album together, the writing was on the wall when first single I (Friday Night) only just made the charts, at No.37. It was soon announced that they were to split, with Hillier citing the common reason of deteriorating personal and professional relations with Blackwood. One more single release followed, the Self Same Thing EP, and they were no more, but left a string of brilliant pop singles behind them. It’s commercial failure should put no-one off, as Make It Better contains all their trademark melodies, and biting lyrics, and that last EP shows some directions they might have taken with contributions from Gary Numan and Ian Broudie of The Lightning Seeds.
As with Goodbye, you can get this album on MP3 download with many bonus remixes and b-sides here. I’d recommend this, especially for a wonderful b-side they released with Gary Numan called Redirected Mail, that is very hard to track down on it’s own, and really should be heard. You can sample it on the playlist at the top of the page.
Stars: The Best Of (2004)
A posthumous release that collects together most of their singles, and a selection of album tracks. Although it bizarrely omits the exceptional Billy Bragg cover St.Swithin’s Day, there are a couple of rarities of note to the ardent collector. Instead of the studio version of Elevator Song, an acoustic version is included, but of more interest is the inclusion of the band’s cover version of the Pet Shop Boys song Jealousy, which was originally recorded for an album celebrating EMI‘s centennial called Come Again, as a hidden track on the cd. A good starting point for anyone wanting to discover the band, or for those only interested in the singles.
It’s available on MP3 download, or regular cd in the usual places, including Amazon here.
Sarah Blackwood went on to join the band Client, who have to date released three studio albums on the Toast Hawaii label, run by Alan Fletcher of Depeche Mode. Their music is darker than that of Dubstar, with more of a synthpop feel to it. The tracks I’ve heard by them suggest they’re worth checking out too. A reunion for Dubstar was mooted a couple of years ago, and although it was reported that they had got back together, a recent announcement on Facebook seemed to put paid to any chances of it coming to fruition.